Park Chan-wook’s “Oldboy” stands as a masterwork of contemporary Asian cinema, a film that transcends its revenge thriller framework to become a profound meditation on memory, guilt, and the corrosive nature of vengeance. Released in 2003 as the second installment in Park’s “Vengeance Trilogy,” the film follows Oh Dae-su, a man inexplicably imprisoned in a sealed room for fifteen years before being released without explanation into a world that has moved on without him.
